There are only a handful of craftsmen in the world qualified to make the chair. That qualification takes approximately a year and is only given to highly skilled upholsterers – and for good reason. Stretching such taut upholstery over Imola’s sculptural form is physically demanding work, which requires years of experience and a meticulous eye for detail.

When asked how one designs an icon, designer Henrik Pedersen responds, “You don’t. In fact, setting out with that intention is the easiest way to ensure failure. I think all icons are simply the product of turning up and putting in your best work. And in time, with a little luck, the world recognises your effort in the final product.”